Slowly but Surely

“Slowly but surely.”

For the past nine years this has been my default response to the question: “So, Guy, how’s the writing going?”

“It’s fine. I’m getting there, slowly but surely.”

My friends and family usually laugh before waiting, expectantly, for a “proper” response. But my response has always, and will always be, the same.

“Seriously guys, I’m getting there. Slowly but surely, I’m getting there.”

I don’t think my friends and family ever took me seriously. Wanting to be a writer is a common dream now after all, especially around university campuses, so I can’t blame them for thinking I was like every other wannabe raconteur. I’m sure they have all been waiting for the day when my response would inevitably change to: “Actually, guys, you know what? The writing’s been going badly for a while now and in all honesty, I’m probably just kidding myself. I think it’s about time I followed everyone’s advice and gave it up. I need to focus on my ‘career’ after all.”

But that day never came, because, let’s face it, being realistic has never really been my strong point.

You see, most people who don’t want to write think that people who do want to write simply sit down in front of a laptop and begin, almost whimsically, to type out the perfect story  – preferably one that came to them whilst sipping macchiatos at the local café. They believe that once the great coffee God has slipped his/her imagination pill into your caramel swirls the words simple vomit out of you until perfection is achieved. They believe that if that novel isn’t perfect once that final full stop punctures the screen then you are simply not worthy of the title of writer and must give up the momentary muse immediately before crippling alcoholism sets in.

But they couldn’t be more wrong. Seriously, that’s not how writing works – for the majority of us at least.

On Saturday (27th February – I think) I received a phone call from an agent – one that I have been working with for quite some time.  During this phone call I was told that my writing was in fact good enough (who knew?) and said agent would very much like to place her name next to mine and represent me from here on out. I was over the moon! Genuinely, words cannot express the sheer delight that fizzed through me. Because, you see, contrary to popular belief, I had not just hammered out a perfect first draft and sent it off (if only!). I’d pretty much re-written the novel from scratch with the agent acting as a mentor, and then redrafted over and over, polishing it to an ever greater shine with no real clue as to whether the agent would take me on or not. But she did! And guess what? This wasn’t even my first novel! It was my fifth! I’ll give you a moment to let that soak in. Five novels. Not one, or two, or even four, but five novels! That phone call was the result of nine years hard work, and I was chuffed to bits.

I realised I wanted to write books for a living when I was eighteen years old. I have been writing near enough every day since then (I am now twenty-seven), and despite the doubts, despite the rejections, I kept going. You see (again, contrary to popular belief) writing takes time – good writing, at least. Like an apprentice sculptor you might have that vision of perfection in your head, but it takes years of working on your craft before you can even begin to carve something that looks vaguely similar, and even then you’ll always be far from perfection (something I now believe doesn’t, and should not, exist).

But why would any self-respecting human do that? Why would anyone spend so much time on something only to get nothing back?

Well, I suppose there are many reasons.

The first being my obsession with already super-successful writers. When I find a writer I like, it’s not enough for me to simply buy their books. I need to know them. I need to know their journey – the pilgrimage that has lead them to this pinnacle of human achievement that I admire so vehemently. Stephen King, Ray Bradbury, Neil Gaiman, David Mitchell, John Wyndham, etc, etc. I needed to know their life stories – I needed to know their secrets.

And you know what?

I found them.

And by them, I mean it.

That’s right. It. Singular.

I found that thing that all the great writers possess that everyone else does not. I found the Holy Grail of knowledge that would ultimately lead me to that phone call – that great, life changing phone call. And it was this:

Stubborn determination.

No, seriously, it’s that simple.

Don’t give up.

But that can’t be it! I thought. That – that’s insane! It can’t be that easy!

And it isn’t – not really. Stubborn determination is not easy. You have to suffer. A lot. And I don’t mean to sound depressive or like writing was a chore, because that is not it at all. I write because I have to. My head is a bucket and it needs emptying on a regular basis. If I don’t tip the words out, I get cranky. It’s not good. The writing isn’t the problem, it’s getting your writing noticed. For that, you need to take those hits. You need to receive those rejection letters, you need to feel that disappointment . . . and keep moving forward. You need to sit in front of a page of writing and hate it . . . but then keep moving forward. You need to send your book to agents and get “No” after “No” after “No” . . . but then keep moving forward.

Not everyone will go through this. I’m sure there are those really annoying people for whom a caramel macchiato is enough, but for me I needed that determination. I needed it like a plant needs rain. Without it I would have withered and died at my desk. Thankfully, I learned this lesson early. I was taught it by the best.

Book one, for me, was the hardest. It was my greatest achievement and my greatest disappointment all rolled into one. I was naïve. I was young. But I kept moving forward. Book two was still hard, but the edges had been rounded off. After rejection, Ikept moving forward. When it came to book three I sent it off expecting rejection, but it was still sprinkled with hope. It was the same with book four! And by the time I reached book five, nine years of none stop writing had filled my noggin! Nine years of rejection and iron-clad determination coated everything I did. By book five, I had made a plethora of mistakes – mistakes that would have made most wannabe writers throw in the towel and yell: “ENOUGH!”

But by book five, I had it. That stubborn determination. That refusal to give up. That belief that if I simply kept pushing forward I too could have what my hero’s had. I too could get that elusive publishing deal.

I imagined myself a runner in a great race. In it, every human who wanted to be a writer was running alongside me and the finish line was a publishing deal. And we were running. Sweating, bleeding, crying, we were running, and all around me people were dropping out. All around me there were people who had had enough, and one by one they were pulling over to breath. But still I knew, the more people that pulled out, the greater my chances of being the last one standing. And that’s all that matters. So I ran. I ran and I ran, over and over, getting fitter, faster. Still, all around me people were dropping, but that stubborn refusal kept me going. I had the idea that if I could only keep running, eventually everyone else will quit and I will be the last man standing. Then I’d be guaranteed the deal!

I have lived my life by that race. Every time I felt like quitting, I told myself: “No! If you quit, someone behind will overtake. Keep moving forward.”

And now I have an agent. The biggest hurdle so far has been conquered. But even bigger hurdles await. Will the book that secured my agent be published? Well, the figure that seems to be sliding through the publishing community is 50%. That’s half of all agent-submitted manuscripts accepted by publishers. Those odds are the best I’ve ever had. They’re not perfect, but they’re still pretty darn good. I have as much chance of being rejected as I have of being accepted.

But guess what?

A rejection doesn’t matter! If the publishers say no, then I will write another. I am writing another! And I will keep writing books until the publishers have no choice but to say yes. Even then, when they do say yes, a new battle will begin. I’ll go on school visits, talk in libraries, take part in book festivals. I’ll even have reviews! Good and bad. But no matter what the world throws my way, I will forever keep moving forward.

When I told my friends I had an agent, they were chuffed. They congratulated me and praised me and made my ego swell like a party balloon. But when they asked what would happen next – when I’d be published – my response was the same as ever:

“I have a long way to go yet, but I’m getting there. Slowly but surely, I’m getting there.”

“But you have an agent now! That’s got to make it easier!”

“Maybe,” I replied. “Maybe not. But as I said, I’ll get there eventually, slowly but surely.”

The publishing industry is in no rush. It is the race track, and we, the writers, must decide: is it better to be a hare, or a tortoise? Sure, we feel like hares. We want to rush towards that publishing deal. We feel ready. We think our books are perfect and genius and the world needs to see them! But we all know that it is better to be a tortoise. Why?

Because they get there in the end – slowly but surely.

So if anyone out there wants to be a writer, remember: be the tortoise. Work, write, edit, submit, reject and repeat. Work, write, edit, submit, reject, repeat. If you follow this system, you too will get there.

Slowly but surely.

Just keep moving forward.

I.M.

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Welcome to the Jungle

“It’s a fantastic time to be writing children’s and YA fiction,” Frances Hardinge told the world last week.  The Lie Tree had just become the second children’s book in history to win the overall Costa Book Of The Year.  “For those who think children’s and YA fiction is not their thing: please do come and explore.  There’s a beautiful jungle out there.”

 

And so begins the rather spectacular blog-post currently doing the rounds on social media. It was written (I believe) by the lovely (and somewhat heroic) people at MiddleGradeStrikesBack, and is well worth your time.

If you haven’t read it yet, click on this link and give it a go. Seriously, just do it. Like right now. Please. Just click the link. I’m not going to quit until you do. It’s quite enlightening:

http://middlegradestrikesback.blogspot.co.uk/2016/02/coverkidsbooks-facts.html

So, because you have all just gone away and read the article, and then promptly returned having remembered that you were in fact reading something else entirely beforehand, you will know what I’m talking about. It’s quite a damning article, highlighting the gross lack of coverage in our media in regards to children’s literature.

“Grab the metaphorical pitch forks!” you yell . . . but wait! I believe there is more to this than a simple lack of coverage. Will putting more reviews in newspapers help promote children’s fiction? Of course it will, and it would be a great place to start, but we’d be wrong to think that that alone will elevate children’s fiction to the godly status it deserves. What we have here is not a media issue . . . it is a cultural one.

“A cultural issue!” you’re probably scoffing. But yes, ultimately, I believe it is the case. Now let me tell you why.

I have been an avid reader for as long as I can remember, and as soon as I graduated from university I knew that I wanted to share that love of reading with others – to pass the reading bug gallantly on to the next generation. “I’ll become an English teacher!” I naively proclaimed, but then I thought back to my own English lessons: The unending criticisms of Nobel winning novels; the out-of-context, haemorrhage-inducing essays on Shakespeare; the line by line break downs of poems (that in no way resembled the dream-like scenes from The Dead Poets Society), and I quickly changed my mind.

So now, at the age of 27, I am a primary school teacher. And I love it. Seriously, it rocks . . . but my dream of being the next Robin Williams was quickly shattered. Teaching children to read is hard. No, wait, teaching children to read is easy . . . teaching children to love reading? Now that’s hard.

I have, admittedly, only been teaching for a few years, but in that short time, the cultural hole has already revealed itself. I am about to lay down some of the things that I believe are wrong with our culture. Now, you may very well disagree with what I have to say, and that’s fine. I know some people will read this a say “Hey, wait a minute! I do that already!” In which case, BRAVO! You are a hero! Go and spread the word!

Have I thought long and hard about these things? No. Am I shooting the words from my metaphorical hip? Maybe. Am I quickly typing this out so I can read a couple more chapters of “The Five People You Meet In Heaven?” before marking roughly forty books? You bet. But never-the-less.

Here are my observations since beginning my teaching journey.

 

Cultural Issue #1 – Teachers That Don’t Read

How is a person expected to instil a love of reading when they themselves do not read for pleasure? Children are not stupid. If you tell a class to sit and read, and then quickly begin marking or checking emails or doing something other than reading, they will notice . . . and they will switch off. If you want the children to read, READ WITH THEM! For twenty minutes every afternoon my kids and I kick off our shoes, put our feet on the desks, and read. That’s okay. I read my books. They read their books. Sometimes we don’t read at all and just talk about our books. I share my favourites with the kids. They share their favourites with me, and that’s okay too. The result? Kids enjoy reading. Not all of them, granted, but most. To me, a teacher who doesn’t read is like a chef who doesn’t use salt. Yes he/she can still do their job, but there will forever be something missing.

 

Cultural Issue #2 – Punishment

Both parents and teachers are guilty of this. When a child is naughty, they are told to stay in and read. All this does is create a bridge in their minds between reading and punishment, which does more harm than good. Believe me. There are other things children can be doing (their time’s tables for example – everyone hates those), but whatever you do, don’t give reading as a punishment. Make it a reward! “If you finish your work to the required standard, you can lay on the bean-bags in the reading corner and chill with a book!” It’s not that difficult.

 

Cultural Issue #3 – Reading Schemes

Schools are obsessed with levelling children and putting them on the correct “bands”. Some people are so hooked on this system that they force children to stick to their bands until they have proven – somehow – that they are ready for the next one. Don’t. I told my children to ignore the scheme and pick books they wanted to read. And guess what? They did. Did the weaker readers pick whopping great novels like War and Peace to begin with so they looked awesome? Of course, but after a period of time they corrected themselves and found a book they liked. I also read thin books so they realise big books don’t equal good books (from my experience, the opposite seems to be true!)

I have met people obsessed with forcing children to finish books too. DON’T! If a book is boring, tell them to put it down and pick another. I don’t finish books that are dull so why should they?  

 

Cultural Issue #4 – Parents

Dear parent. Do not tell me you struggle to get your child to read when you yourself don’t do it. Your children idolise you. They want to be you. If you come home and lounge in front of the TV, they will do the same. If you sit at home with a book. They will do the same.

Also, I once had a parent come to me and complain that I’d asked his child to read at home. He said, and I quote, “When my son gets home, he relaxes. He doesn’t do school work, and I don’t want him to do school work. It is your job to teach him to read, not mine.”

Parents need to take responsibility as much as teachers. This, I know, can be hard. That parent clearly didn’t read himself, and judging by his tone had probably had a bad experience in the past – perhaps he had been forced to read in class by a non-reading teacher. The solution to this? I don’t know. Seriously. I’m not a parent. Perhaps it is a generational thing that will heal with time. If we get the children of today into books, perhaps this won’t happen. Perhaps it will. Anyway, onwards we go!

 

Cultural Issue #5 – Television

No, I’m not about to say TV is bad for kids. We all love a bit of tele (Have you seen Game of Thrones!). What I mean by TV is the coverage and promotion it gives to children fiction. Mainly – where is it? How difficult would it be, just once a week, during prime-time kids TV slots, to have a short program in which presenters discuss books and interview authors and play book-based games and have children on actually reviewing books themselves, or SOMETHING! Just once a week would do! That’s 52 episodes a year! I’m sure there’d be 52 newly published MG authors who’d love to go and promote their books and play games and have fun. Teachers would see it and be more open to having the authors in schools, children would be psyched to have them come, and parents could engage and watch it too! Seriously, the fact that this program doesn’t exist baffles me!

 

But as I said, these are just ramblings. All I know is that there is so much potential being wasted. Children’s fiction is, to me, the greatest of all fiction, and right now, as many keep saying, we are in a golden age the likes of which the world has never seen before. Through children’s books I have visited a million different worlds, seen through the eyes of a million different people, been on great adventures, saved kingdoms, ruined kingdoms, travelled the solar system and passed through the gates of heaven; through them, I have grown. Every book that I have ever read has changed me in one way or another, and for each and every one, I am grateful.

Frances Hardinge is right, there is a beautiful jungle out there, and it is our job to welcome the next generation inside. Let’s get the message out!

(P.S. If you are a parent or teacher who wishes to find ways of promoting books at home or in school, read “The Rights of the Reader” by Daniel Pennac and “The Book Whisperer” by Donalyn Miller. They’re awesome!)

(P.P.S – Use the hashtag #CoverKidsBooks and spread the word)

Peace and Love,

I.M.

The Reason I Write, and Who I Write For

Why do I write? Who am I writing for?

These are two of the most important questions any aspiring writer/artist must ask themselves. And, I believe, you cannot be truly successful, or know fully who or what you are, until you have answered them both honestly. Why are you doing it, and who are you doing it for? In this blog post I shall give my answers to both of these questions. Your own answers may very well be different (I would hope they are, should we all be the same).

Why Do I Write?

I believe it is possible to put every person who calls themselves a writer into one of two categories. There are those who write because they like the idea of being a writer. They see the likes of JK Rowling and George R R Martin, scooping up tens, if not hundreds of millions of pounds/dollars for their work and think: I can do that. How hard can it be? They think, and yes, most even go as far as creating a synopsis, either on paper or just in their heads (usually just in their heads). These people then gloat to their peers about how they are going to be the next big thing. They talk about how well they will do, how unique their ideas are, how no one has ever done anything like them before and the world will bow down and collectively drops their slackened jaws in sheer awe at the magnificence of their work. They are, for want of a better word, deluded. These people talk more about their writing then they do actually writing. On Twitter, they tweet famous writers and then brag to their friends about re-tweets, they go to writers talks or creative writing classes and act like they know it all, and, because most people do not know any different, they believe them, further ensnaring said writer in their own delusion. And through it all – through all the dreaming and bragging – they fail to see that these writers whom they hold in such high esteem (Rowling, Gaiman, King, Martin etc) did not write their novels because they hoped to be stupidly rich and famous and successful. They wrote them because they were, in fact, members of the second category of people. The true category.

Members of this category write not because they desire fame and fortune, but because they have to write. These people, myself included, write because it is a part of them. I write stories because when I walk or have a few brief moments of solitude, my brain goes to other places. For some reason, when I think, I do not think about bills to pay, the mortgage, work, my friends, my life. I think instead about other worlds, and deals with the devil, and castles in the imagination. I do not think. I imagine. This is a blessing, and, at times, a curse (excuse the dramatic cliché). When I imagine, I build stories, and if I do not get those stories out of my head and onto paper I grow anxious, fidgety, and on occasions, depressed. If I do not write I feel clogged. These stories, these voices in my mind, they beg to be told, and if I do not tell them those characters begin taking pickaxes to my memories and start dislodging my every day thoughts. The less I write, the less I remember. It is as simple as that. It is like these voices – these stories – that appear in my head are the voices of real people, somewhere in the world. Perhaps when people pray, those prayers are not heard by God, but by writers? It certainly feels that way sometimes, that if I don’t tell their stories I am somehow doing them a disservice.

So that is why I write. I write, because I have to. I believe that if you ask any successful writer/artist/actor/singer why they do what they do, they will tell you the same. This also comes hand in hand with success. To be a good writer, you must practise. I am still practising. I always will be, I think. But those writers who write because they want to will fall short in the end, because they lack the stamina, the will to put in all those novels. They lack the patience to persevere through the mountains of rejections, the bad books, the crap short stories, the mind-numbingly dull poetry, and so they give up. However, we writers who write because we have to, will always put in those hours. We will write novel, after novel, after novel, not because we are seeking fame and fortune, but because we must. And through those years of solitary story-telling our craft improves. With every story – with every 100,000 words – we get better, and in the end, after five years, ten years, fifteen, twenty, we arrive at a standard that is good enough to be shared. 

Who Do I Write For?

This is harder to answer than the first question, because since deciding that I wanted to take this journey, that I would attempt to turn these voices into a career, my target audience has changed, time and time again. At first I wrote for myself. As I said before, I wrote because I had to. I needed to. But now that I am being mentored and working on a book with an industry professional, I can no longer think purely for myself. I have to consider: who else will read this? Children, is the answer, but it is not the full answer.

My novel, The Miracle of Harrow Falls, is an upper-middle grade novel. For those who don’t know, that is for children aged 9-12. I teach that age range. I know it well. I know it very well. This gives me an advantage. If you were to look at the children’s book market at the moment, you will see it dominated by the likes of David Walliams, Diary of a Wimpy Kid and Jeremy Strong. These contain the usual – the expected. There is a story, not too complex, light, humorous, and a whole load of toilet humour. I have nothing against this. This sells. It is big business, and children lap it up. But not all children. Being a teacher I see the darker side of children’s lives. I see children who are neglected, abused, bullied, at school and at home. I see children struggle to cope as their parents divorce, get ill . . . even die.

These children are not interested in fart jokes. 

At first, before I became a teacher, I would have said: “No! These funny books are good. They cheer them up! They take them out of their misery and make them smile.” But I am a teacher. A child came back after the last half term and informed me that her mother has lung cancer. She was confused, devastated. I can tell you, no amount of toilet humour was going to put a smile on her face. She didn’t need to smile. She needed to understand. She was in a dark place, and she needed to talk to other people who were also in dark places so she could figure out how they escaped back into the light. These children are after escape. They are desperate for it, and from what I see, they are seeking it in YA fiction. Children as young as nine read dark, disturbing YA novels, most of which contain content (Sex, drugs, violence) that they should not be exposed to. And yet they still read them. They read because they are in a dark place, and only characters also in dark places can help.

Who do I write for? I write for them. I write for the children who are going through things that no child should go through. I take characters and I put them through hell, not because I want to be dark and edgy, but because I want to show that no matter how deep you go, there is always a light at the end. I am not interested in books about underpants or smelly tramps or toilet-roll billionaires. That limits my market, and I will not get rich writing the books I do, but I’m not in this to get rich. I’m in this to show those who are so down they fear they may never get up, that it’s okay, that they’re not alone, and that if they fight -and I mean really fight- they have a chance at happiness once again.

So there it is. The reason I write, and who I write for.

If you are a writer, what are your answers? What are your reasons?

I.M.

The writing blog . . . is it worth it?

I write every day. It is a part of my daily routine and it is one that I love and look forward to immensely. My day at work flies ever faster when I have a story or character on my mind, and the joy that is sitting down at the end of a long day to get it down is unmatched, in my opinion. 

I am writing a novel – well, an adventure novel for children – but mostly my time is occupied writing short stories. Back in the 1900’s (in America especially) the way to get your name  out there and build up a readership was through short-stories. Magazines paid for good quality fiction and allowed good writers to build up a respectable CV which would inevitably help sell their future novels. Everyone was a winner. The likes of Stephen King, Ray Bradbury and Neil Gaiman discuss regularly that their early careers began with short fiction, and it is through their advice that I myself began writing. Short fiction allowed me to tighten up my stories, flesh out characters and build on plot in a way that just writing novels never could (not as quickly, anyway) and I have been lucky enough to have had some of my short stories published. 

But things are changing. Magazines are on the decline and are being replaced with internet only eZines and blogs. Most do not pay, and those that do require a submission fee. This may not be a bad thing as the internet is a vast place . . . but that does not necessarily mean exposure. 

I started my blog because, after meeting with other writers, it seemed like the thing to do – changing with the times and all that. And when I search through the Freshly Pressed blogs I can see that hundreds, if not thousands of aspiring writers are blogging on a near daily basis, and sure, they are attracting the likes of other aspiring writers, but in terms of helping their/our careers, I have to ask . . . 

IS IT REALLY WORTH IT?

Is our culture of prolific blogging taking us away from the one thing that we really want . . . to write good fiction? Writing blogs is still writing, yeah, okay, I get that, and if you want to get into journalism then swell, good for you, but we fiction writers should be writing fiction, yet people out there seem to spend most days writing about writing stories, instead of getting any down on paper/screen. (I of course see the irony in the fact that I am contradicting myself, but shush! That’s not the point.)

I guess what I want to know is: 

  • How many writers have been plucked from these blogging sites and given contracts/career boosts? 
  • Do agents/publishers see blogging as a positive thing? Or has it ever impacted on a decision to take a writer on? 
  • How are writers nowadays getting their work out there?
  • Is anyone actually benefiting from all of this, and does it even matter? 

Personally, I write short stories and send them to online magazines (the UK is short on paper magazines that accept the type of stories I write) and in the meantime I am writing a book which I will eventually send to agents with a list of prior publishing credits. This is the old way of doing things –  the way my writing heroes went about it, but technology and the internet has changed that. People blog for pleasure and that’s great, I have no qualms about that. If blogging for you is a bit of fun and a means of discussing/socialising then great, I am not talking to you. I am directing these questions at people like myself. People who want to make a career for writing.

How are you doing it? Has anyone done it differently, and succeeded? I am intrigued by the lives of others similar to myself, and the stories and adventures we writers undertake along our road to publication. What do you think? Is these opening of social doors a good thing, or bad thing?

 

I.M.

The Man Behind the Imagination . . . a Tribute

My journey as a writer had a somewhat misguided beginning. I decided to take the writer’s journey when I was just 15 years old and obsessed with a certain horror writer named Stephen King. As far as my immensely naive self was concerned I was to become the next Stephen King and send the rest of the world cowering behind their bed sheets . . . and I gave it a shot, a serious shot, too.

Writing lesson one: Be the first of you, not the next of another.

I was a pale imitation of Stephen King and that was obvious in my writing. The stories had imagination, but the writing was terrible – there, I said it, and so should you. Recognising that you are not all you could be, or that you are heading in the wrong direction is key to taking yet greater steps along the pathway to success. This is not to be confused with experimentation, because that is key also, but trying to copy another writer will get you no further than fan fiction. It took a university lecturer to point this problem out to me, and the manner with which he did this changed my life forever. (My writing life, at least).

Writing lesson two: Read EVERYTHING!

My university lecturer told me to go away in the summer holidays and look up a man called RAY BRADBURY. Who the hell is that? I thought, having never heard of him before. Luckily I was good at following advice, and I did what I was told.

I purchased a copy of The Golden Apples of the Sun, an anthology of short stories by Mr Ray Bradbury, and I consumed the lot in under a week. I was amazed. His stories were written decades earlier yet were more relevant now than they’d ever been. The imagination behind them, the fantasy and sci-fi blend that he pulled off so well, the poetic nature of his writing that just flowed from the page stunned me beyond belief. I had found my muse. When ever I read one of his stories my own imagination kick-started into life. His words were the fuel for my thoughts, and I was unstoppable. The first stories I ever had published were born from my Bradbury Buzz!

That is not all, however. Not only was Ray Bradbury a terrific writer, he was an inspirational speaker too. The interview with Ray Bradbury below gave me the get up and go to write my story A View Through a Window (Story 2 on my homepage) and that also went on to be published.

He talks of writing everyday and reading everyday. During his interview above he sets a challenge to all budding writers. Read a short story a day, for every day of your life. Unrealistic, you say? Well, yeah, okay, I kind of agree. I managed to go for 3 month doing just that but I lacked the discipline to keep going. That isn’t to say that I didn’t learn a lot. Filling your mind with so many words and stories is invaluable, and I challenge you to try it and tell me you aren’t the better writer for it.

Anyway, I’ve talked enough. What I wanted to say was Thank You. Thank You Ray Bradbury, God rest your soul, for you have inspired me and made me the writer I’ve become today.

Maybe one day my novel will sell and I will be able to spread his message further, but until then this will have to do.

If you want to be a writer of fiction, whether short stories or novels, watch the interview below and read Ray Bradbury’s anthologies. You’ll thank me for it once, then thank him for a lifetime.

If we listened to our intellect, we’d never have a love affair. We’d never have a friendship. We’d never go into business, because we’d be cynical. Well, that’s nonsense. You’ve got to jump off cliffs all the time and build your wings on the way down.

Ray Bradbury

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Story 2 – View Through a Window

View Through a Window

 

I was stood by the sink with my hands warming in the water, scrubbing my left over pots and pondering a great many things. There was a plate, a fork, a knife, you know, the usual, and they were all mine, and they were all dirty. As I scrubbed and cleaned I peered out of my window and saw the most curious thing. Stood in the dead center of my garden was a man. I had never seen this man before, but there he was, looking at me and smiling.

          I didn’t know what to do. I mean, what was there to do?

          He raised his hand and waved, as though it were the most normal and natural thing in the whole world, and for some strange reason that even now I cannot explain, I lifted my hand from the water and waved back. There I stood with my hand dripping, staring at this man, alone, in the middle of my lawn.

           But then it hit me.

           I know him.

           I didn’t know him like you know a friend, or a neighbor, or a person you met at a party once and can no longer remember the name of; I had never met him before in my life, but I somehow knew who he was and why he was there. I think I’ve always known.

          Placing his hand by his side he turned around and looked up at the night sky. Right then, at that very moment, I dried my hands and walked out into the garden. I stood beside him and I looked up at the stars. Together we watched a while, feeling the cool, icy air on our skin, and the bitter wind as it ruffled our hair. I couldn’t tell you how long we stood watching the stars twinkle and shine. Even more curiously he smiled some more, and then he pointed.

          A single star, brighter than the others, floated high above the moon. There were over a thousand stars in that sky, but I knew immediately which one he was pointing at. For some reason I nodded my head and the man, standing on my lawn in the dead of night, picked the star right out of the sky like it was naught but a pin being plucked from a cork board. 

          He brought it down to his chest, smiled again, and then he spoke.

          “This one belongs to you.”

          “Thank you,” I said, though I don’t know why.

          As I held the star tightly in my palm, he wrapped his hands around mine and closed the star beneath our net of fingers. “What is it?” I asked.

          “It’s your dream,” he said. “It’s been up there all this time, but now you are ready to take it.”

          Turning around, the man walked down my garden path and out through my garden gate, shutting it quietly behind him. Opening my palm I stared for a moment at the star and then looked up at all the others. I opened my mouth to speak, but no words came.

          Back in the house I placed the clean pots back in the cupboards and then wrapped the star on a chain around my neck, and there is has remained from that day to this.

          I don’t think that man visits everyone, and I don’t even think he takes the same form each time, but if you are lucky enough to see him, then be sure to keep your star safe.Wrap it in velvet, place it in a box, or on a ring about your finger, or on a chain around your neck, but for the love of God don’t leave it out on the side, otherwise it will fade and that would be a shame.

          A terrible shame indeed.

Introduction from me, the Imagination Man

Dear all,

I have decided to begin a blog in order to spread the word about my short stories and hopefully entertain some folks along the way. I have been writing fantastical stories for five years and have decided to finally unleash them on the world!

My stories so far have been enjoyed by all, considered strange by most and described as “genius” by another (though his place in my life is a purely fictitious one), but please, do not listen to me. I beg you to read on and make up your own minds, comment below if you must and tell the world that the Imagination Man is here.

My first story shall arrive at midnight.